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Where no collaboration is indicated, I am the sole author or editor by me. Peer-reviewed articles and chapters are noted as such.

Authored volumes

The Hard Matter of Abstraction - A Guidebook to Domination by Abstraction. Organon 1, V_____erlag für Handbücher, 2016.

Shit Tech for a Shitty World. Aksioma - Institute for Contemporary Art, 2016. 🔗 PDF on Aksioma

Edited volumes

Co-edited with Marcell Mars: Guerrilla Open Access. Post Office Press & Memory of the World, 2018. 🔗 PDF and source files on Humanities Commons

Co-edited with Marcell Mars: Public Library. What, How and for Whom/WHW & Multimedia Institute, 2015. 🔗 PDF on Memory of the World

Co-edited with Goran Sergej Pristaš: Time and Incompletion: Images and Performances of Time in Late Capitalism. BADco., 2014. 🔗 PDF on BADco.

Co-edited with Petar Milat: Idea of Radical Media. Multimedia Institute & Arkzin, 2013. 🔗 PDF on Monoskop

Co-edited with Ivana Ivković: Frakcija - Performing Arts Journal: Actionable Image - Agency of Image, Performance of Body, Apparatus of Spectating. no. 19, 2012. 🔗 PDF on BADco.

Co-edited with Marcell Mars: System.Hack() - Table of Contents. Multimedia Institute, 2006. 🔗 PDF on Monoskop

Book chapters, peer-reviewd articles and public writing

Technology, ecology, capitalism

Co-authored with Mladen Domazet and Andro Rilović: ‘Degrowth’. In Reference Module in Earth Systems and Environmental Sciences, Elsevier, 2019. [peer-reviewed]

‘Technologies for an Ecological Transition: A Faustian Bargain?’. Materialism and the Critique of Energy, edited by Brent Ryan Bellamy et al., M-C-M’ Press, 2018., 🔗 PDF on M-C-M’ Press [peer-reviewed], previously published as a working paper, Institute for Political Ecology, 2017. 🔗 PDF on IPE.

Shadow libraries, access to knowledge, hacktivism

Co-authored with Valeria Graziano and Marcell Mars. ‘Pirate Care: Against the Crisis’. …Of Bread, Wine, Cars, Security and Peace – Exhibition Catalog, Kunsthalle Wien & What, how and for Whom/WHW, 2020, pp. 103–09, 🔗 PDF from KHW’s website.

Co-authored with Marcell Mars: ‘System of a Takedown: Control and De-Commodification in the Circuits of Academic Publishing’. In Archives, edited Andrew Lison, University of Minnesota Press &, 2019, pp. 47–68. [peer-reviewed]

Co-authored with Marcell Mars: ‘Against Innovation: Compromised Institutional Agency and Acts of Custodianship’ Ephemera - Theory and Politics in Organisation, vol. 19, no. 2, May 2019, pp. 345–68. [peer-reviewed]

Co-authored with Valeria Graziano and Marcell Mars: ‘Learning from #Syllabus’. In State Machines: Reflections and Actions at the Edge of Digital Citizenship, Finance, and Art, edited by Yiannis Colakides, Mark Garrett, and Inte Gloerich, Institute for Network Cultures, 2019, pp. 115-128.

Co-interviewed with Marcell Mars by Petar Jandrić and Ana Kuzmanić: ‘Knowledge Commons and Activist Pedagogies: From Idealist Positions to Collective Actions - Conversation with Marcell Mars and Tomislav Medak’. Learning in the Age of Digital Reason, edited by Petar Jandrić, SensePublishers, 2017, pp. 243–269.

Co-authored with Marcell Mars: ‘Amateur Librarian - A Course in Critical Pedagogy‘. Mondothèque :: A Radiated Book, Constant, 2016, pp. 48–56.

Co-authored with Marcell Mars and Dubravka Sekulić: ‘Taken Literally’. In We Need It - We Do It: Croatia at the 15th International Architecture Exhibition/La Biennale Di Venezia 2016, edited by Dinko Peračić et al., Platforma 9,81; POGON–Zagreb Centre for Independent Culture and Youth; Museum of Modern and Contemporary Art Rijeka, 2016, pp. 228–35.

‘The Future After the Library: UbuWeb and Monoskop’s Radical Gestures’. Public Library, What, How and for Whom/WHW & Multimedia Institute, 2015, pp. 121–37. 🔗 PDF on Memory of the World

‘Death and Survival of Dead Labor’. Schlosspost, 8 Jan. 2016. 🔗

‘Hacking’. Truth Is Concrete: A Handbook for Artistic Strategies in Real Politics, edited by Florian Malzacher, Sternberg Press, 2014, pp. 267–68.

‘Open Source Paradigm in the Arts’. The Theatre, International Festival / Steirischer Herbst, 2007, pp. 87–89.

„System.Hack(1, “Broadcasting”,“Orson Welles - War of the Worlds”)“. System.Hack() - Table of Contents, Multimedia Institute, 2006, str. 49–54.

Theatre, art, cultural activism

‘In Praise of Bureaucracy’. L.P, Marko Ercegović / Office for Photography, 2017, pp. 55–58.

‘The Art, the Political Conjuncture, and the Left‘. Schlosspost, 7 Sept. 2016. 🔗

‘Bordering, Social Choreography & Transmodernity : Dance beyond Capitalist Modernity‘. A talk delivered at the Tanzkongress in Hannover, 2016.

‘Open Institutions and the Reform of the Cultural System’. Frakcija - Performing Arts Journal, no. 60–61, 2011, pp. 55–58.

‘Democracy Disassembled’. DemoKino - Virtual Biopolitical Agora, edited by Ivana Ivković and Janez Janša, Maska / Aksioma - Institute for Contemporary Art, 2006, pp. 135–40.

‘Energy and Emergence: On Some Problems of Contemporary Artistic Strategies’. Frakcija - Performing Arts Journal, no. 19, 2001, p. 16.

Social movements and politics

‘Civil Society and Political Work on the Left‘. A talk delivered at the conference Predicaments of the Left in Zagreb, 2013.


Graziano, Valeria, et al. ‘Taking Care of Unconditional Solidarity’. Interview by Hana Sirovica, 8 Mar. 2020.,

‘From Independent Cultural Work to Political Subjectivity’. The Art of Civil Action: Political Space and Cultural Dissent, edited by Philipp Dietachmair and Pascal Gielen, Valiz, 2017, pp. 207–27.